Wolfgang Oelze

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  • Kontinent des Unbewussten (curatorial)

    Small Society for Grottoes and Caves – Part 3 – Continent Of The Unconscious
    Grundbuchhalle Hamburg, November 14, 2025 to January 30, 2026

    This is the third installment in an exhibition series of the same name that explores archetypal places through art. It features drawings, collages, videos, and photographs focusing on the cave as a metaphor for the hidden, grotesque, and transformative. Contemporary and historical references to the theme are combined with philosophy, art, and science.
    Curated by Peter Boué and Wolfgang Oelze.

    Artists: Peter Boué, Katharina Duve, Katharina Kohl, Katja Musenberg, Wolfgang Oelze, Giovanni Battista Piranesi, Bernhard Prinz, Alexander Rischer, Regine Schulz, Doris Cordes-Vollert and Margit Tabel-Gerster

    The exhibition is accompanied by lectures, film screenings, and discussions.

    Curator Talk and Guided Tour with Peter Boué and Wolfgang Oelze, featuring the artists

    Lecture by Yuning Teng, Art Historian, "Entering Another World Through the Cave: Imagery from Chinese Tradition to Mao's Revolutionary Bases and Contemporary Art Practice"

    Video Premiere »Vorhöhle« by Wolfgang Oelze with Live Soundtrack by Chad Popple (Finissage)

    Mit freundlicher Unterstützung der Behörde für Kultur und Medien Hamburg und der Liebelt-Stiftung Hamburg

    Finissage performance photos by Gunnar Geller

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  • Trap (exhibition)

    Exhibition views from Roger Loewig House – Museum and Memorial, Bad Belzig, solo exhibition, August 31 to September 28, 2025

    At this historic exhibition venue, the photographs and videos unfold a spellbinding interplay of traces and premonitions. We see landscapes and caves hinting at a hidden history.

    On the ground floor, a video displayed on a large wall depicts a dreamlike circular motion over terrain containing trees, pits, and brightly colored, plate-like objects. Together, these elements form a strange panorama that seems familiar yet is dominated by an eerie power.

    Another video temporarily complements the permanent Roger Loewig exhibition. A slow camera movement takes viewers on a hypnotic journey from a settlement to a forest-covered, ruined village.

    Large-format photographs that resemble scenes from dreamlike films expand this imagery. Here, a selection of images from the artist's collection of enchanted crypts, grottos, and caves is presented. These underground places symbolize states of being between darkness and light, despair and hope.

    Since 2009, the Roger Loewig House in Bad Belzig has been dedicated to the work of the artist and poet Roger Loewig (1930–1997). After undergoing extensive renovations in 2022, the museum has expanded its offerings to include exhibitions, readings, and reflections. With the exhibition "Trap," the museum opens itself up to dialogue with contemporary art. The exhibition offers new perspectives on themes and motifs from Loewig's work, highlighting the relevance of his concerns.

    The exhibition opening was accompanied by an artist talk with Prof. Dr. Kathrin Busch.

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  • FUZZY DARK SPOT (curatorial) Falckenberg Collection Hamburg

    Deichtorhallen Hamburg, Falckenberg Collection: April 13 to November 3, 2019

    The exhibition Fuzzy Dark Spot brings together video works by mostly Hamburg-based artists ranging from the 1970s to the present day, featuring historical and contemporary productions. The exhibition examines how video in art interprets social and media irritations and manipulations.

    The fields of this investigation include references in video art to television, the educational movement of the counter-public of the 1970s, as well as the use of video as a surveillance medium, a means of artistic narrative, a psychosocial mirror, and an instrument of self-optimization in the digital present. The major impact of video images on the collective memory and consciousness in the 20th and 21st centuries makes doubts about images, the uneasiness with the familiar, as well as the distrust of truth claims important subjects of artistic reflection. The title summarizes the common theme of the works in the exhibition: a nebulous, fuzzy dark spot, place, or condition. The term Fuzzy Dark Spot comes from a discussion in an internet forum about camera lenses contaminated with mold.

    The exhibition, curated by the Hamburg-based video artist Wolfgang Oelze, is programmatically linked to the exhibitions Weisser Schimmel (2010) and Capitain Pamphile (2011), which offered a look at the diverse works of artists in Hamburg within the Falckenberg Collection with specific curatorial concepts.

    Part of the exhibition is an extensive supporting program with artist talks, screenings and lectures in the Falckenberg Collection as well as film screenings in the Metropolis cinema. The exhibition is accompanied by a catalogue.

    Participating artists: Vito Acconci, Gabor Altorjay, John Bock, Claus Böhmler, Öyvind Fahlström, Harun Farocki, Jeanne Faust, Lee Friedlander, Gintersdorfer/Klaßen, Rosanna Graf, Britta Gröne/Peter Piller, Romeo Grünfelder, Christian Jankowski, Volko Kamensky, Naho Kawabe, Mike Kelley, Jon Kessler, Nina Könnemann, Till Krause, Vlado Kristl, Lene Markusen, Paul McCarthy, Aurelia Mihai, Ernst Mitzka, Vanessa Nica Mueller, Karina Nimmerfall, Wolfgang Oelze, Tony Oursler, Nam June Paik, Stefan Panhans Rotraut Pape/Raskin, reproducts, Rainer Korsen/Gerd Roscher, Oliver Ross, Gerhard Rühm, Swen Erik Scheuerling, Corinna Schnitt, Paul Spengemann, Hans Stützer, Mike Mandel/Larry Sultan, Inga Svala Thorsdottir, Helena Wittmann, and Steffen Zillig

    In extension to the exhibition, the Falckenberg collection shows a curated video loop, the Fuzzy Sequence – presenting works by nine Hamburg artists: Goesta Diercks, Cordula Ditz, Jens Franke, Annika Kahrs, Georg Kühn, Matthias Meyer, Axel Schäffler, Eske Schlüters and Tilman Walther

    https://www.sammlung-falckenberg.de/ausstellungen/fuzzy-dark-spot-videokunst-aus-hamburg

    Exhibition photos by Henning Rogge

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  • RAL 7030

    exhibition in Oel-Früh Cabinet, Hamburg, on occasion of the Triennial of Photography, 2018
    Exhibition views with three photos by Antje Sauer / RAL 4001

    Light Box, 170 x 125 cm

    take a closer look at the photo

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  • Wer auch immer das Interlock bricht

    exhibition XXII in Oel-Früh Cabinet, 2016
    Exhibition views

    Photographs, Installation
    slide projection, two-sided trapezoidal mirror and soundtrack
    Oel-Früh Cabinet, Hamburg
    – one additional image appeared as exhibition invite

    view the list of works

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  • MEM Bilbao

    Experimental Arts International Festival, Bilbao, 2016
    exhibition and performance of “Beat Box”
    with Miguel A. García (guitar) and Maria Seco López (bass guitar)

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  • Puls

    exhibition at Frappant Galerie / berlin-raum für Videokunst, Hamburg, 2015

    LP-release, installation and videos; exhibition with guests: Joan Jonas (NYC) and Pascual Sisto (LA), performance with Rudi Burr and Florian Dürrmann (HAM)

    Beat Box, 2015, 16:9 HD-Video, dual channel installation and performance, stereo, loop, 00:14:18

    Störung Partitur, 1996, 4:3 PAL, single channel, stereo, 00:09:00

    Pumpen, 1999, 4:3 PAL, single channel, stereo, 00:08:00

    Kontakt, 2015, 12" LP, direct vinyl cut, 00:22:00

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  • Erbe

    Aktion # 96, Wolfgang Oelze and Galia Kodsi at 2025 ev, Hamburg

    Erbe / Inheritance

    7 million years ago: the lineage of mankind starts diverging away from chimpanzees. 73,000 years ago: the consequences of the “Toba” volcanic eruption reduces the genetic variety of Homo Sapiens to the population of a cave, in which the earliest pigment drawings were being created. 1866: Ali Rawda gives away his point of land in Beirut to American missionaries, who begin building a university. 1908: Parisian banker and philanthropist Albert Kahn uses the newly invented color slide glass plates in order to illustrate The Orient as well as the pathogen of syphilis. 2006: one could watch from the Al Rawda Cafe, on the outermost rocky point of Beirut, how Israeli warships are firing at the city. 2012: a pathologist from Bremerhaven bequeathes an extensive color slide archive of microscopic examinations depicting wart and cancerous tissue. In the present decade, another supervolcano may very well break out in Europe.

    “Erbe” unites all of these events for three hours.

    (Excerpt from the exhibition announcement for »Aktion # 96«, October 30th 2015)

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  • the qualm

    exhibition at Kunsthaus Hamburg, 2014

    video works:

    920 mm / figures 2014, HD, stereo, 46 min, loop

    untitled (lock) 2014, HD, 12 min, loop

    2 caves 2014, HD, 6 min, loop

    moments ago 2003/08, PAL 4:3, stereo, 37 min, loop

    shown in installation with surveillance monitors

    in the air 2006, PAL 4:3, stereo, 18 min, loop

    shown on mini tv monitor

    photo works:

    2011 – 2013, c-prints

    untitled, 2013, slide projection

    catalog

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  • cet obscur coin flou

    Exhibition at Galerie du Tableau, Marseille, 2013
    with Goesta Diercks
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  • more exhibitions

    2025 “Un autre territoire des écarts”, video installation, Traverse Vidéo, Toulouse, France (catalogue text in French / English / German)

    2024 “Ice Cream for Crow” (video), Adamski Gallery, Berlin

    2024 Expanded Media group exhibition at “37. Stuttgarter Filmwinter” (video), Stuttgart

    2022 “Kleine Gesellschaft für Gotten und Höhlen, Teil 2” (video), Hamburg

    2021 “Kleine Gesellschaft für Weg und Umweg”, Hamburg (with a.o., Peter Boué, Alexander Rischer, Michael Buck, Micha Mohr, Simon Hehemann - l.t.r.)

    2020 “Der Apparat”, Frappant Gallery, Hamburg

    2010 “Photography – Ideology of representation”, Gallery Melike Bilir, Hamburg

    2013 “und Hamburg was glaubst du”, Kunsthaus Hamburg

    2010 “Leshan Invitational Contemporary Art Exhibition” (video), Leshan, China (catalog excerpt)

    2012 “Daemon's Dilemma” (video), Künstlerhaus Frise, Hamburg

    2011 “Fuzzy Dark Spot”, Raum für Zweckfreiheit, Berlin *

    * Supported by the Ministry of Culture of the Free and Hanseatic City of Hamburg

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